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Birch, please |
The model is something of a puzzler: one of the most finely-detailed I've ever painted; and yet with an odd two-dimensional quality to it. From the way she's facing, you'd assume she slots into the base horizontally, but that makes her thin as a willow. Added to that, one side of her is so featureless, it might as well be her back
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The Birch Is Back |
I approached this in a different way than usual. Anxious not to obscure all the tiny details, I decided not to use any base coats. Once the model was primed white, I went at it with nothing more than inks, washes and drybrushing.
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Sometimes being a birch is all a woman's got to hold on to. |
Inky recipe as follows:
- 'Skin': Brown Ink, Agrax Earthshade, Balor Brown drybrush, Ushabti Bone light drybrush
- 'Hair': Brown Ink, Green Ink, Elysian Green drybrush
- Claws: Brown Ink, Green Ink
- Bark: Brown Ink, thinned-down Dryad Bark, Nuln Oil, Tallen Sand drybrush
- Eyes: White Scar, Golden Yellow outline, Warpstone Glow drybrush
So the only layer paint I used was Dryad Bark (which I felt compelled to, given the name), and that was seriously-thinned. I think it worked okay, and I certainly didn't lose any detail (I actually found some I hadn't spotted before).
It was tricky to get a clear contrast between the wood-brown skin and the wood-brown bark. It shows up okay in good light; in anything dimmer, I may as well have dipped the whole model in Mournfang Brown. I'm still getting mileage out of my glowing-eyes trick, although I think it was justified here, to add some more colours.
And that's the Briarmaven of Woe completed. Off to terrorise Beastmen and Bretonnian damsels alike!
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Get away from her, you Birch! (I've got a million of these) |
Birching.
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